The meme's iceberg: Post-irony, neo-decadentism and archetypal imagination

Authors

DOI:

https://doi.org/10.70435/junguiana.v43.298

Keywords:

meme, post-irony, cultural complex, symbol, neodecadentism

Abstract

This essay offers a symbolic and imaginal analysis of digital memes through the meme/metaphor of the iceberg. Structured in five layers of depth—from communicative use to archetypal expression—it argues that memes operate as condensers of affects, language, and cultural complexes. Drawing connections between post-ironic aesthetics, neodecadent sensibility, and the collective unconscious, the text proposes that memes are not mere vehicles of humor, but symbolic devices that reactivate narratives, traumas, and contemporary myths. As rhizomatic images, they stage psychic ambiguities and paradoxes, functioning as liminal figures between the collective and the singular, the banal and the sacred, laughter and grief. Memes thus emerge as performative artifacts of our cultural sensibility.

Downloads

Download data is not yet available.

Author Biography

Daniel Françoli Yago, Independent researcher. São Paulo, São Paulo. Brazil

Clinical psychologist (Pontifícia Universidade Católica - São Paulo). Master in Social Science (Pontifícia Universidade Católica de São Paulo). He was a professor in the Psychology program at Universidade Municipal de São Caetano do Sul, São Paulo, between 2014 and 2023. Translator and author of articles and essays on gender studies and literature. He published A ascensão do Titanic (The Rise of the Titanic) (Ed. Urutau), a book of short stories, in 2024.

Published

2025-10-23

How to Cite

Yago, D. F. (2025). The meme’s iceberg: Post-irony, neo-decadentism and archetypal imagination. Junguiana, 43, 1–14. https://doi.org/10.70435/junguiana.v43.298

Issue

Section

Articles